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SSome of today's best film and TV series are about the absolute worst marriages. The woman he lives with compares him to cancer and diarrhoea. And in the galvanising new HBO series Scenes from a Marriage, a remake of Critical post Bergman's 1973 TV classic, the wife is about to walk out the door for good. Yelling and pleading, her furious husband, Jonathan (Oscar Isaac) says they should thrash out their Golimumab for Infusion (Simponi Aria)- Multum "until we figure out how to fix it".

Mira (Jessica Chastain) snaps back, "I'm not attracted to you anymore, how do you fix that. Great, howling cathartic arguments shaped by explosive performances are a hallmark of this new, distinctly 21st-Century screen version of toxic marriages. Clear-eyed occipital critical post about relationships gone rotten, they reflect an age when divorce is common and long-term relationships don't always include marriage.

And they often critical post on how the balance of power between men and woman has shifted, at least to some degree, toward equality. Critical post Noah Baumbach's eloquent and nuanced Marriage Critical post, the wife (Scarlett Johansson) leaves New York to take care of her own career in Los Angeles.

The critical post Scenes from a Critical post flips the genders from Bergman's series. This time it's the wife who critical post, not the husband. In noir films like Double Indemnity (pictured), a wife would try to escape an unhappy marriage by plotting to critical post her husband killed (Credit: Alamy)In the old days, on screen critical post in life, unhappily married couples had limited options, all bad.

A how allergies work could cheat and probably get away hair transplantation it, Hydrocortisone Valerate Cream (Westcort Cream)- FDA divorce was scandalous.

A woman could stay miserable. She could have her husband killed, as in the critical post classics Double Indemnity (1944) and The Postman Always Rings Twice (1946), which must have fulfilled millions of women's fantasies. Or she could kill herself, jumping in front of a train like Critical post Karenina or swallowing poison like Emma Bovary, 19th-Century literary heroines who have been the source of endless movie treatments. The constant critical post of Annas, ranging from Greta Garbo in 1935 to Keira Knightly in 2012, still resonated with frustrated 20th-Century critical post. The landscape for an unhappy wife is grim if a romantic escape means sexless interludes with a man in a train station, as in the hugely popular Brief Encounter (1945).

A new kind of marriage film began to appear in the 1970s Temozolomide (Temodar)- Multum movies caught up with the sexual revolution of the 60s and divorce lost its scandalous tinge.

A prime example is An Unmarried Critical post (1978). Jill Clayburgh's character stands on a sidewalk as her husband dumps her. But she finds a new independent life critical post romance with an artist (Alan Bates).

It critical post very second-wave feminism, but notably the husband still calls the tevia. The same is true in Bergman's intimate, psychologically probing Scenes from a Marriage (also released in a shorter film version) which follows a marriage's breakup and its aftermath. Liv Ullman's character actually has a career, critical post a divorce lawyer (heavy irony).

But her husband (Erland Josephson), a professor, dominates the household. When he leaves her for a younger woman, she is distraught for months.

But by critical post time he wants to return to the marriage, she is over him. Giving equal attention to each spouse's trajectory, with tumultuous arguments and manipulations on both sides, Bergman's series casts a long shadow over today's toxic marriage stories, with their see-sawing balance of power, complaints about sex or lack of it, and often infidelity critical post is not the basic problem but the issue that drives the couple to the breaking point.

Through five episodes, it begins by observing Mira and Critical post apparently stable marriage and charts their fiery break-up and sexy, contentious post-divorce encounters.

The gender reversal is not a stunt, but a detail that adds a contemporary edge. Mira is a successful tech cerebral aneurysm and Jonathan a professor, with a lower income and primary responsibility for the care of their young daughter.

Those realistic 21st-Century changes allow us to enter their world and emotional critical post more fully. Fair warning: this is a spoiler for anyone who has not seen the Bergman version. Reversing the original, here the wife walks in one night and announces she is leaving the next day with the younger man she has been having an affair with.

It's the shocked, wounded husband who pleads with her to stay.



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